the story of the needle case

original needle keeper

my new version

shown open

About 25 years ago, I was a sweater designer visiting the Orient a few times a year to work with factories. Most of the time, I was in Hong Kong, and most often I was in some bland office working, but every so often, we would get a chance to get out and explore the city.  I don't actually remember where I acquired the case, it may have been on an out of the way street market, or it could have been in a fancy antique store in the vast shopping malls.  But I do remember that I had never seen anything like it.  It was not expensive, it may not even be silver.  But, it is beautiful.
I wear the needle keeper from time to time.  It is always noticed, always a conversation starter.  It has been the inspiration for many of my own creations, like the tiny secret keeper necklaces.  I finally decided to make a more literal version of the necklace.  My own design is constructed just like the original, though slightly smaller.  It also has a skinny leather cord.  I used my own floral textures for the design and added applique silver flowers.  It is of course fine silver.
The first time I wore it it was noticed.  It's been purchased and is gone.....until I make another incarnation.

questions answered

I've been doing some local St. Louis craft show and I get a lot of comments and questions from people.

What are you doing here?  This is a craft fair.
Well That's true, my things are more artwork then craft and the prices are a reflection of that, but most of the local fairs I participate in are in Temples and Synagogue.  That a good place to meet Jewish people who are more likely to purchase my mezuzahs, yads and Jewish star necklaces.  Even though they may not be interested in buying anything today, they will take my card and remember me when they want to get a special gift or piece for themselves.

Is everything you make Jewish?
No it is not.  I make a lot of jewelry.  My fine silver jewelry is a reflection of my personal style and aesthetic.  I like jewelry that is causal.  I am a former sportswear designer so I keep current with the trends and try to incorporate styles that are up to date but still stand the test of time.
There are a lot of wonderful Jewelry Artists out there who work in PMC.  One reason that I started to concentrate on making Judaica is to keep myself unique and find a niche in the market.  Of course, through that process, I found I was able to express myself even more creatively and making the Judaica became my focus.

Your stuff is so beautiful, why are you not showing at Laumeier or the St. Louis Art Fair in Clayton?

Well, first of all thank you.  I really appreciate that you like my work.  I would love to be a part of those shows, but there is a short answer on why I am not.  I do not have a booth.  A proper tent (booth) with lights and display costs $2000-$4000.  In order to be considered for these shows you must have a picture of your booth in your application.  These shows are juried and the competition is fierce, especially in the Jewelry category.  So you must have a professional display and booth to be considered, and no you can't just rent one.  Buy my work and I will invest in the booth, I promise.

what inspires me.....

I have been  working every possible moment I have in my studio these days preparing for the fall shows.  I have a trunk show in October and The Best of Missouri Hands show in November (more details to follow).  So I need a lot of beautiful things to sell, especially jewelry (as opposed to Judaica). 

What inspires me?  Well, my approach to designing jewelry in very different than Judaica.  For jewelry, I have to go back to my roots.

First, I research.  I look at everything!  I see what the metal clay artists are up to.  Most of this research is on the web.  I look at artists I admire and also those I don't.  I want to see what everyone is excited about creating.  I get ideas about trends in style as well as technique.  Maybe a new way to add a bail to a pendent.  Of course, I never copy, but use my own style to interpret the technique.  I always take a look at my old metal clay technique books too.  Sometimes something old looks new again.  That's also why I go through my old sketch books.  I interpreted my old wire wrapped designs into metal clay!

Now it's time to research the fashion trends.  I was a knitwear and sportswear designer for years so I am very interested in fashion.  I'd like to think my jewelry is timeless design, but I can't help to make designs that relate to whats in.  It's just fun for me.  So I look at sportswear, couture as well as accessory and jewelry trends.  My favorite places for high end jewelry designs, Barneys New York!  For real trendy, young jewelry you have to check out Urban Outfitters, (of course it may fall apart by the time you get home). Ideas can come for high and low end, so I look everywhere.

Finally, I always take some time to design for me.  It may sound silly, but some of my best sellers have come from this approach.  I just bought a new dress for the Jewish holidays.  It's a solid purple Susan Monaco,  from my favorite boutique in town Essential Elements.  The dress is understated, so its perfect for jewelry. I designed these link chandeliers to wear with it.  I think that a necklace with the earrings would be way too much, but lots of chunky silver link bracelets will look great! Stay tuned for these to show up in my fall collection.

I never make jewelry that I myself wouldn't wear.  I've tried to honor a customers request when I didn't like the idea and I am always disappointed with the result.  So trend or not, if I don't like it, it's not going to happen for rachels things.

Well, I better get back to the studio, I have a lot of work to do.